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The journal American Literary History has published a review of Market Aesthetics.

Phillips Casteel finds that “Machado Sáez’s comparative analysis of diasporic Caribbean literary production has the advantage of foregrounding commonalities among second-generation writers who emerged in an era of multiculturalism in various regions of the Global North.” Additionally, she argues that “Machado Sáez strikingly demonstrates that the novels introduce author- and reader-doubles in order to stage the challenges of reception and communication between author and reader.”

Check out the rest of the review here.

Machado Sáez published her review of Rosamond King’s Island Bodies: Transgressive Sexualities in the Caribbean Imagination (2014) in the December 2016 issue of the Caribbean Studies journal Anthurium.

 

The journal ARIEL has just published a review of Market Aesthetics.

Karen Fay Yaworski lauds Market Aesthetics for its “insightful and complex” arguments, particularly the “elegant, fluid discussion in which Machado Sáez draws incisive, macro­level conclu­sions about Caribbean diasporic historical fiction.”

Check out the rest of the review here.

Check out the creative nonfiction piece I recently published in the online literary journal, Aster(ix). My microeditorial, “Haunting Hamilton,” is inspired by my experience listening to the soundtrack of Lin-Manuel Miranda’s musical, Hamilton.

The journal Postcolonial Text has just published a review of Market Aesthetics.

Describing Machado Sáez’s approach as “fruitful and illuminating,” Shane Graham argues that “Market Aesthetics gives us a framework for reading Caribbean diasporic literature that has both flexibility and explanatory power.”

Check out the rest of the review here.

I had the pleasure of having Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction (University of Virginia Press 2015) launched at the Caribbean Studies Association conference in Haiti in June 2016. Carol Bailey of Westfield State University graciously agreed to introduce the book, providing an overview of its arguments and (thankfully) some its merits.

I’m grateful to the organizers of the Author Celebration panel, Kamille Gentles-Peart, Karen Flynn, and Sheri K. Lewis, for their hard work, generous spirit, and joyful celebration of Caribbean Studies scholarship.

The Author Celebration panel also included presentations on Yarimar Bonilla’s Non-Sovereign Futures: French Caribbean Politics in the Wake of Disenchantment, Angelique Nixon’s Resisting Paradise: Tourism, Diaspora, and Sexuality in Caribbean Culture, and Andrea Queeley’s Rescuing Our Roots: The African Anglo-Caribbean Diaspora in Contemporary Cuba.

The journal Callaloo has just published a review of Market Aesthetics in their Winter 2016 issue.

In the Callaloo review, Sofia Tirado asserts that Machado Sáez’s “work offers an innovative contribution to the study of Latina/o, Caribbean, and Caribbean diasporic literature. Her study presents both a fresh perspective on canonical texts and an analysis of texts not widely discussed” (229).

Check out the rest of the review here.

 

The journal College Literature has just published a review of Market Aesthetics in their April 2016 issue.

In the College Literature review, Maya Socolovsky asserts that “Machado Sáez makes a valuable and original contribution to the field of Caribbean diasporic literature with her superb analysis not only of the fiction itself but also of its global contexts, its ethics of writing production and reading strategies, and its paratexts […] The scope of the work is impressive, as is the insistent call that underlies all the readings, for us to be attentive to our ethical sensibilities and obligations as scholars and readers of Caribbean historical fiction” (472).

Check out the rest of the review here.